Tradition | Final gallery

PHOTO GALLERY

"HERITAGE OF STONE AND HEAVEN"

RESULTS OF 2021-2022 INTERNATIONAL PHOTOGRAPHY COMPETITION

The photo competition Heritage of Stone and Heaven has concluded with the jury's selection of the prize winners and the honorable mentions. The jury's work was conducted in several stages, the first of which was to determine which photographs out of all submitted satisfied the basic competition criteria and showed an artistic quality that would make them eligible for consideration in the later stages. All works passing the initial selection are shown under the heading "Jury Selected". Next, the jury selected the finalists, shown under "Finalists", and finally took on the difficult task of choosing the prize winners and honorable mentions. The decisions were not easy given that we had so many submissions of high quality. However, in the end, we believe that the selected prize winners and honorable mentions bring a unique personal perspective on the subject matter and contribute to a better appreciation of Serbian cultural heritage. Congratulations to all of our winners and honorable mentions!

Finally, to conclude, we thank all our participants and feel honored that you have shared your photographs with us. We hope that you will consider submitting to other competitions that we may organize in the future.

FIRST PLACE AWARD

MARKO RADOVANOVIĆ

Radovanovic_Traveling through_time_02.jpg

"JOURNEY THROUGH TIME"

This Award is presented to Marko Radovanović for winning First Place

in the 2021-2022 international photography competition Heritage of Stone and Heaven

SECOND PLACE AWARD

SRETEN PANTELIĆ

"SAINT SAVA"

This Award is presented to Sreten Pantelić for winning Second Place

in the 2021-2022 international photography competition Heritage of Stone and Heaven

THIRD PLACE AWARD

MILOSH SHMIT

"OUR LADY OF LJEVIŠ"

This Award is presented to Milosh Shmit for winning Third Place

in the 2021-2022 international photography competition Heritage of Stone and Heaven

HONORABLE MENTIONS

Photographs displayed in this category have been selected by our panel of judges as honorable mentions

IVAN JOVANOVIĆ

"DEČANI RAY OF LIGHT"

This Award is presented to Ivan Jovanović in recognition of receiving honorable mention

in the 2021-2022 international photography competition Heritage of Stone and Heaven

ANGELINA VASILJEVIĆ

"TRADITION"

This Award is presented to Angelina Vasiljević in recognition of receiving honorable mention

in the 2021-2022 international photography competition Heritage of Stone and Heaven

FINALISTS

Photographs in this category have received highest scores from members of the jury

outside Awards and Honorable Mention categories. Click on individual photo to view full image.

Our Most Holy Mother of God Ljeviška

©Radomir Jovanović

Church of Our Lady of Ljeviš, also known as Ljeviška, was originally built as an endowment of Serbian King Milutin Nemanjić in the XIV century, is a Serbian Orthodox church in Prizren and a UNESCO world heritage site in danger.

It seems that unrest and beauty are the two key words that can be used to describe Ljeviška even today. Ljeviška is representative of the ultimate achievements of a civilization that reached its medieval zenith in Kosovo and Metohija. The principal painters, father and son, Eutychius and Mihailo Astrapa, ingeniously presented dogma, mysticism, a synthesis of the ancient world and Christianity, sacred and secular, literary and ecclesiastical. They were looking for an ideal combination of religion, philosophy and art. The fresco painting and architecture of Ljeviška, seven centuries later, were recognized as a UNESCO treasure for of all humanity. Our Lady of Ljeviš was heavily damaged during the 2004 pogrom in Kosovo when it was burnt along with other Serbian Orthodox sites.

Monastery Studenica

©Stanko Kostić

Studenica Monastery, XII century UNESCO World Heritage Site, located in the Raška district of central Serbia, is the largest and richest of Serbia’s Orthodox monasteries. It was founded by Grand Prince Stefan Nemanja, also known as Saint Simeon, who established the medieval Serbian state. His relics, as well as those of his wife Anastasia and of the first Serbian king, Stefan the First-Crowned, rest in this monastery. It is there that Stefan Nemanja’s youngest son, Saint Sava Nemanjić, initiated the independent Serbian Orthodox Church in 1219. The monastery’s two principal monuments, the Church of the Virgin and the King’s Church, enshrine priceless collections of 13th and 14th century Byzantine paintings.

Prayer of a Dečani monk

©Radoje Ostojić

Monastery Visoki Dečani is a male monastery with a continuous monastic tradition since the 14th century. The monastery was built by then-King of Serbia, Saint Stefan Uroš III of Dečani (1285-1331), the son of the King Milutin and the father of Emperor Dušan. By uniting Romanesque, Gothic and Byzantine building techniques, the skillful masters of Kotor produced an edifice distinguished by its design, construction and decorative achievements.

The frescoes of the Dečani church are almost too vast to be taken in by the human eye. They represent a culmination of the gradual advancement of Serbian and Byzantine art of fresco painting that took course over the preceding years. The cumulative experience of late Byzantine art is woven into over one thousand scenes and several thousand individual figures divided into more than twenty cycles, depicting the entire history of Christianity in one location.

Studenica crucifixion

©Aleksandar Aksović

The Studenica Crucifixion is one of the finest frescoes of the Serbian and Byzantine school. It graces the nave of the Church of the Mother of God inside Studenica monastery, XII century UNESCO world heritage site. The two churches within the monastery’s grounds, the Church of the Mother of God and the King’s Church, enshrine priceless collections of 13th and 14th century Byzantine paintings. Thanks to Sava Nemanjić, then the Abbot of Studenica Monastery, who endeavored to finish his father’s (Stefan Nemanja’s) memorial and the church that was his burial place, the best painters of that time were engaged to decorate the walls of the Church of the Mother of God with frescoes. The frescoes were painted using high-priced lapis lazuli and gold with inscriptions written in the old Serbian Cyrillic language.

Gracanica in my heart
©Marko Stankovic

The Gračanica monastery in Kosovo and Metohija is one of the last endowments of King Milutin Nemanjić. Built in the early XIV century on the ruins of the former Church of the Holy Virgin, Gračanica was dedicated to the Dormition of the Holy Virgin.
The Gračanica monastery is considered by many to be one of the finest monuments of Serbian medieval architecture. It is known for its harmonious proportions and heavy walls built of chiseled stone and red bricks. Of the once majestic monastery complex, only the Church of the Annunciation still remains.
 The frescoes at Gračanica are painted in the style of Serbian and Byzantine art of the first half of the 14th Century and are exceptionally well-preserved. These frescoes of exquisite detail and enchanting beauty depict illustrious persons of the era. At the entrance to the church you will see portraits of the patron of the church, King Milutin and his wife Simonida.

Gračanica in my heart

©Marko Stanković

The Gračanica monastery in Kosovo and Metohija is one of the last endowments of King Milutin Nemanjić. Built in the early XIV century on the ruins of the former Church of the Holy Virgin, Gračanica was dedicated to the Dormition of the Holy Virgin.
The Gračanica monastery is considered by many to be one of the finest monuments of Serbian medieval architecture. It is known for its harmonious proportions and heavy walls built of chiseled stone and red bricks. Of the once majestic monastery complex, only the Church of the Annunciation still remains.
 The frescoes at Gračanica are painted in the style of Serbian and Byzantine art of the first half of the 14th Century and are exceptionally well-preserved. These frescoes of exquisite detail and enchanting beauty depict illustrious persons of the era. At the entrance to the church you will see portraits of the patron of the church, King Milutin and his wife Simonida.

Kolo in Lepenski vir - greeting the Sun at the cradle of civilization

©Stanko Kostić

The Serbian kolo is a vivacious traditional circular dance that is usually performed amongst groups of at least three people and up to several dozen people. Dancers hold each other's hands or each other's waists. They form a circle, a single chain or multiple parallel lines. Kolo requires almost no movement above the waist. The basic steps are easy to learn. Experienced dancers demonstrate virtuosity by adding different ornamental elements, such as syncopated steps, leaps and intricate dazzling footwork. Each region has at least one unique kolo. Even the most experience dancers find it difficult to master all of the regional varieties. Kolo is danced at weddings, as well as other social, cultural, and religious ceremonies. Some dances require both men and women to dance together, others styles are exclusive to men or women. The music is generally fast-paced. The kolo inspired many composers, for example Antonín Dvořák in his Slavonic Dances – the Serbian kolo is the seventh dance from opus 72.

Rays of microcosm

©Radovan Peković

This image captured a fragment of a multidisciplinary theatre spectacle “Njegoš illuminated by the sky” (Serbian: Његош небом осијан), that premiered at the National Theatre in Belgrade on the occasion of marking the 200 year anniversary of the birth of one of the greatest Serbian philosophers and poets of all time, Prince-Bishop of Montenegro Petar II Petrović Njegoš (1813-1851). The main female role was performed a renowed gusle player Bojana Peković. Nurturing the sound of Njegos’s poems through the oldest Serbian string instrument- gusle, Bojana played the herald of the Light of Heaven.
This image also documents an innovative approach in presenting this centuries-old archaic instrument and tradition of singing with an accompaniment of gusle through a female narrative that was not dominant as such throughout history, as well as pushing traditional aesthetics and boundaries forward by putting it in the setting of a complex theatrical plot and electronic music.

Patriarchate of Pec
in the valley of the Bistrica river at the foot of Prokletije ©Stefan Pavlovic

This is a landscape one encounters before entering the gates of the glorious Patriarchate of Peć situated near Peć in Metohija region.

Patriarchate of Peć Monastery was built in the 13th century and has remained ever since the historical seat of the Serbian Orthodox Church. The monastery complex consists of four churches, three of which are connected as one whole. They were built in the 13th and 14th centuries (1321–24, and 1330–37) - Holy Apostles, St. Demetrius, Holy Virgin Hodegetria and St. Nicholas. Three of them are connected with a spacious narthex.
The central church of the Holy Apostles from the mid-13th century abounds with beautiful frescoes and marble tombs of several Serbian patriarchs from medieval times as well as the patriarchal throne where Serbian Orthodox Patriarchs are formally enthroned. Archbishop Nikodim I (s. 1321–24) built the Church of St. Demetrius on the north side of the Church of the Holy Apostles. Beside his tomb one can see the tomb of St. Archbishop Ephraim. Archbishop Danilo II of Serbian and Maritime lands (s. 1324–37) built the churches of the Holy Mother of God Hodegetria and St. Nicholas on the south side. In front of the three main churches, he built a monumental narthex. St Danilo’s tomb can be seen here adorned with many beautiful frescoes.

The Patriarchal Monastery in Peć abounds with frescoes, icons, relics and other artifacts of immense artistic value and beauty. It was inscribed in the UNESCO World Heritage list of Serbia in 2006. Since 1999 the monastery has been under armed protection and included with three other UNESCO Serbian Orthodox Monasteries in the list of the World Heritage in Danger.

Peć Patriarchal Monastery as the historical seat of Serbian Orthodox Archbishops and Patriarchs is under the direct ecclesiastical jurisdiction of the current Serbian Patriarch Porfirije. The Abbess of the Monastery is Mother Haritina who lives there with 20 nuns.

Patriarchate of Peć - In the valley of the Bistrica at the foot of Prokletije

©Stefan Pavlović

This is a landscape one encounters before entering the gates of the glorious Patriarchate of Peć situated near Peć in Metohija region.

Patriarchate of Peć Monastery was built in the 13th century and has remained ever since the historical seat of the Serbian Orthodox Church. The monastery complex consists of four churches, three of which are connected as one whole. They were built in the 13th and 14th centuries (1321–24, and 1330–37) - Holy Apostles, St. Demetrius, Holy Virgin Hodegetria and St. Nicholas. Three of them are connected with a spacious narthex.
The central church of the Holy Apostles from the mid-13th century abounds with beautiful frescoes and marble tombs of several Serbian patriarchs from medieval times as well as the patriarchal throne where Serbian Orthodox Patriarchs are formally enthroned. Archbishop Nikodim I (s. 1321–24) built the Church of St. Demetrius on the north side of the Church of the Holy Apostles. Beside his tomb one can see the tomb of St. Archbishop Ephraim. Archbishop Danilo II of Serbian and Maritime lands (s. 1324–37) built the churches of the Holy Mother of God Hodegetria and St. Nicholas on the south side. In front of the three main churches, he built a monumental narthex. St Danilo’s tomb can be seen here adorned with many beautiful frescoes.

The Patriarchal Monastery in Peć abounds with frescoes, icons, relics and other artifacts of immense artistic value and beauty. It was inscribed in the UNESCO World Heritage list of Serbia in 2006. Since 1999 the monastery has been under armed protection and included with three other UNESCO Serbian Orthodox Monasteries in the list of the World Heritage in Danger.

Peć Patriarchal Monastery as the historical seat of Serbian Orthodox Archbishops and Patriarchs is under the direct ecclesiastical jurisdiction of the current Serbian Patriarch Porfirije. The Abbess of the Monastery is Mother Haritina who lives there with 20 nuns.

Gamzigrad

©Branka Vukicevic-Vuckovic

Located near Zaječar, in eastern Serbia, the Roman imperial palace compound and memorial complex Felix Romuliana - Gamzigrad was commissioned by Emperor Caius Valerius Galerius Maximianus in the late 3rd and early 4th centuries. Galerius built a grandiose imperial complex, fortified with walls and twenty defensive towers. The complex was named Romuliana after the Emperors mother, Romula. The site consists of fortifications, the palace in the north-western part of the complex, basilicas, temples, hot baths, memorial complex, and a tetrapylon. The group of buildings is also unique in its intertwining of ceremonial and memorial functions.
The remains are richly decorated with mosaics displaying figural and geometric motifs, and decorations of great historical and artistic value. The palace is a prime example of the unique Roman court architecture.

Church of the Holy Apostles Peter and Paul, Ras

©Jovan Milinov

The Church of the Holy Apostles Peter and Paul, commonly known as St Peter’s Church, is located on the northeastern outskirts of Novi Pazar. The exact period of construction is not known. Based on circumstantial historical data and the shape of the oldest part of the church, it can be dated to the late 9th or early 10th century. Shortly after its construction, the church became the seat of the Diocese of Raška. This shrine occupies a special place in Serbian history, as it is related to key events in the life of Stefan Nemanja, the progenitor of the Nemanjić dynasty: his baptism, the council against the Bogomils and the transfer of power to his son Stefan the First-Crowned. Based on stylistic characteristics, the fragmentally preserved painting can be dated to the 10th, 12th and 13th centuries. St. Peter’s Church is inscribed on the UNESCO World Cultural Heritage list as part of the Old Ras and Sopoćani monumental whole.

Sopocani cross
©Jovan Milinov

In Orthodoxy, the cross is a symbol of great victory, power and sacrifice. In relation to its main vertical line, this cross is characterized by three crossbeams. The topmost represents, according to the New Testament, a sign that was nailed to the cross at the crucifixion of Christ in three languages (Greek, Latin and Hebrew) with the inscription "Jesus of Nazareth, King of the Jews", the middle crossbeam was used to fix the victims’ hands, while the bottom was the footrest which prolonged the victims’ suffering. A slanted crossbar reminds us of the two convicted thieves on both sides of the cross.

The Sopoćani Monastery, an endowment of King Stefan Uroš I of Serbia, was built between 1259 to 1270, near the source of the Raška river in the region of Ras, the center of the Serbian medieval state.

The Sopoćani monastery represents an exceptional example of the Raška school. The church has a form of the Romanesque three-nave basilica with a massive semicircular apse in the central part of the nave. Apart from its significance as a spiritual center, the frescoes painted on the walls of the monastery have brought it international fame and recognition as a world heritage site. The Sopoćani frescoes are substantially preserved thanks to the quality of workmanship and represent some of the greatest achievements of 13th century religious art in Serbia. The most prominent is the Dormition of the Virgin that covers over 30 square meters and it is located in the central nave of the church. The Virgin, surrounded by Christ, angels, apostles, bishops and other faithful, occupies the central part of the composition. Frescoes representing the life of Grand prince Stefan Nemanja - the progenitor of the Serbian medieval Nemanjić dynasty, also known as Saint Simeon who later in his life entered the monastic life and became elevated into sainthood, also have extraordinary historical and artistic significance.

The monastery has had a turbulent history. It was abandoned after the Ottoman Turks destroyed it and was left in ruins for more than two and a half centuries. The monastery was renovated in the early 20th century, only to suffer new devastations during World War II. The conservation work and restorations of this jewel of medieval architecture were initiated after the war and are still ongoing. Today, it is a thriving community of dedicated monks.

Sopoćani cross

©Jovan Milinov

In Orthodoxy, the cross is a symbol of great victory, power and sacrifice. In relation to its main vertical line, this cross is characterized by three crossbeams. The topmost represents, according to the New Testament, a sign that was nailed to the cross at the crucifixion of Christ in three languages (Greek, Latin and Hebrew) with the inscription "Jesus of Nazareth, King of the Jews", the middle crossbeam was used to fix the victims’ hands, while the bottom was the footrest which prolonged the victims’ suffering. A slanted crossbar reminds us of the two convicted thieves on both sides of the cross.

The Sopoćani Monastery, an endowment of King Stefan Uroš I of Serbia, was built between 1259 to 1270, near the source of the Raška river in the region of Ras, the center of the Serbian medieval state.

The Sopoćani monastery represents an exceptional example of the Raška school. The church has a form of the Romanesque three-nave basilica with a massive semicircular apse in the central part of the nave. Apart from its significance as a spiritual center, the frescoes painted on the walls of the monastery have brought it international fame and recognition as a world heritage site. The Sopoćani frescoes are substantially preserved thanks to the quality of workmanship and represent some of the greatest achievements of 13th century religious art in Serbia. The most prominent is the Dormition of the Virgin that covers over 30 square meters and it is located in the central nave of the church. The Virgin, surrounded by Christ, angels, apostles, bishops and other faithful, occupies the central part of the composition. Frescoes representing the life of Grand prince Stefan Nemanja - the progenitor of the Serbian medieval Nemanjić dynasty, also known as Saint Simeon who later in his life entered the monastic life and became elevated into sainthood, also have extraordinary historical and artistic significance.

The monastery has had a turbulent history. It was abandoned after the Ottoman Turks destroyed it and was left in ruins for more than two and a half centuries. The monastery was renovated in the early 20th century, only to suffer new devastations during World War II. The conservation work and restorations of this jewel of medieval architecture were initiated after the war and are still ongoing. Today, it is a thriving community of dedicated monks.

Light of Faith

©Igor Vasiljević

The Gračanica monastery in Kosovo and Metohija is one of the last endowments of King Milutin Nemanjić. Built in the early XIV century on the ruins of the former Church of the Holy Virgin, Gračanica was dedicated to the Dormition of the Holy Virgin.
The Gračanica monastery is considered by many to be one of the finest monuments of Serbian medieval architecture. It is known for its harmonious proportions and heavy walls built of chiseled stone and red bricks. Of the once majestic monastery complex, only the Church of the Annunciation still remains.
 The frescoes at Gračanica are painted in the style of Serbian and Byzantine art of the first half of the 14th Century and are exceptionally well-preserved. These frescoes of exquisite detail and enchanting beauty depict illustrious persons of the era. At the entrance to the church you will see portraits of the patron of the church, King Milutin and his wife Simonida.

Felix Romuliana

©Pavle Marjanović

Located near Zaječar, in eastern Serbia, the Roman imperial palace compound and memorial complex Felix Romuliana - Gamzigrad was commissioned by Emperor Caius Valerius Galerius Maximianus in the late 3rd and early 4th centuries. Galerius built a grandiose imperial complex, fortified with walls and twenty defensive towers. The complex was named Romuliana after the Emperors mother, Romula. The site consists of fortifications, the palace in the north-western part of the complex, basilicas, temples, hot baths, memorial complex, and a tetrapylon. The group of buildings is also unique in its intertwining of ceremonial and memorial functions.
The remains are richly decorated with mosaics displaying figural and geometric motifs, and decorations of great historical and artistic value. The palace is a prime example of the unique Roman court architecture.

Wheel of Life

©Marko Radovanović

“There is no chance in nature, although the modern theory of indeterminacy attempts to show scientifically that events are governed by chance. I positively deny that. The causes and effects, however complex, are intimately linked, and the result of all inferences must be inevitably fixed as by a mathematical formula.

“What humanity needs is ideals. Idealism is the force that will free us from material fetters.”

-Nikola Tesla
“Tesla Seeks to Send Power to Planets”, New York Times, July 11th, 1931.

Water wheel - precursor of Tesla turbine

©Stanko Kostić

This photograph is inspired by Tesla turbine, one of the inventions of the Serbian-American genius scientist Nikola Tesla. The Tesla turbine, also known as the boudary-layer turbine, uses the boudary-layer effect and not a fluid impinging upon the blades as with a conventional turbine. One of Tesla’s desires for implementation of this turbine was geothermal power, electrical power generated from geothermal energy, which was described in “Our Future Motive Power.”

Nikola Tesla, often referred to as “the master of lightning” and the “poet of electricity”, was one of the smartest and most intuitive geniuses in the history of mankind. It is often said that Tesla’s most significant inventions are the multiphase alternating current system, the rotating magnetic field, the induction motor, generator and transformer, Tesla coil as well as radio transmission and his inventions in the field of other wireless signal transmission and remote control. A forefather of robotics and a visionary who predicted mobile phones, emails, drones more than a century ago, Tesla engendered over 700 patents and was the author of 40,000 documents of great scientific importance. In recognition of universal importance of Nikola Tesla and his inventions, UNESCO added Tesla’s archive to the Memory of the World Register - the highest form of protection of cultural assets.
“There is no chance in nature, although the modern theory of indeterminacy attempts to show scientifically that events are governed by chance. I positively deny that. The causes and effects, however complex, are intimately linked, and the result of all inferences must be inevitably fixed as by a mathematical formula.

“What humanity needs is ideals. Idealism is the force that will free us from material fetters.” -Nikola Tesla, “Tesla Seeks to Send Power to Planets”, New York Times, July 11th, 1931.

JURY SELECTED

All photographs that have met the 2021-2022 competition Heritage of Stone and Heaven criteria

and have been considered by the members of the jury. Click on individual photo to view full image.

Tradition
©Angelina Vasiljevic

Photograph selected by the panel of judges as Honorable Mention

The celebration of the family Patron Saint's Day, know as Slava (means “glory” in Serbian) or Krsna Slava, is a uniquely Serbian tradition. All members of the same family or community observe together a day set aside to honor their saint or protector. Slava is inherited from father to son and the family patron saint remains unchanged. The celebration consists of prayer, the ritual offering of “žito“ – mixture of boiled wheat berries, wallnuts and sugar, and “kolach” – specially prepared sweet bread, and optional feast held for relatives, neighbors and friends.

Slava is inscribed on the UNESCO’s representative list of Intangible Cultural Heritage of Humanity.

"It is that from the past which affects the present but also conditions the future.” – Ivo Andrić

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